He’s torn between loyalty and vengeance - or, rather, between two types of loyalty (since the vengeance he seeks is about loyalty to his father).
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Golding makes him seem the soul of honor, and a man who longs for a home, except that he’s not behaving honorably. What we learn, before long, is that Snake Eyes is serving two masters. He must win over such skeptics as the pitiless Hard Master (Iko Uwais) and the all-seeing Blind Master (Peter Mensah), and even the treacherous third test, which turns out to be a pit battle with three giant anacondas that might have been animated by Ray Harryhausen, carries a Zen psychological snap. Snake Eyes’ attempt to forge his way into the clan has some punch to it. The film was written by Evan Spiliotopoulos, Anna Waterhouse, and Joe Shrapnel, from a story by Spiliotopoulos, who has proved to have a rare gift for adding real flesh to the bones of genre material.
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To join the clan, our hero must pass a series of three tests, the last of which could kill him, and “Snake Eyes” makes them surprising enough to enthrall us. She neither likes nor approves of him, but there’s a hostile erotic spark between them that’s all the more enticing for not being consummated. That gives the tension between Snake Eyes and Akiko (Haruka Abe), the clan’s security expert, in her medieval bangs, a delectable snap. They don’t trust anyone who isn’t family. He wants to bring Snake Eyes into the fold - but the other clan members are a little “Godfather”-ish about it. Tommy is the heir apparent to the Arashikage clan, who reside in an elegant fortress compound on the outskirts of Tokyo. He gets taken under Tommy’s wing, and Golding is such a good actor that he makes us believe in the depth of this bond.īut it’s actually a one-way brotherhood. Amid the cutthroat fireworks of the ninja attack that follows, he saves the life of Tommy (Andrew Koji), a fighter with a lean, malevolent smolder. That’s the one thing Snake Eyes cares about. That is, until he learns what’s being promised in the bargain: that Kenta will find his father’s killer. So when Kenta (Takehiro Hira), a Yakuza ringleader with close-cropped hair and an imperious sneer that may remind you of James Spader’s Red on “The Blacklist,” tries to hire him after a fight, he’s not interested. When we meet our hero as an adult, he’s a cage fighter, beholden to nothing but his own preservation. An assassin, infiltrating a safe house, asked the father to roll a pair of dice it came up snake eyes, which meant his number was up. Golding’s Snake Eyes got his nickname from the way his father died. “Snake Eyes” makes it clear that he’s got the beauty, the cool, the glamour, the danger, the magnetism, and that essential Bond quality - the ability to telegraph the most lethal thoughts to an audience without saying a word. For a kids’ franchise movie, it’s pretty good, but the main headline is this: Henry Golding has to be seriously considered for the role of James Bond. The fight scenes are staged with a slashing precision, and the whole movie, as shot by the cinematographer Bojan Bazelli, has an enveloping night-bloom look to it.
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The movie is also a synthetic but exuberantly skillful big-studio hodgepodge of ninja films, wuxia films, Yakuza films, and international revenge films. “Snake Eyes,” as directed by Robert Schwentke (“The Divergent Series: Insurgent”), has style and verve, with a diabolical family plot that creates a reasonable quota of actual drama.